Then, BANG! Gogol Bordello drop the front and the Ghetto Carnival begins. Violinist and Billy Connolly look-a-like, Sergey Ryabtzev, plays bow to the string like a strongman lifts weights, with muscle that beats the crowd into feverish idolatry fist-pumping, before underdog ring-leader, Eugene Hütz unleashes his vocal bray on the utterly thrilling I Would Never Wanna Be Young Again. Gogol Dancers raid the stage and run loose like prisoners escaping powers iron grip, emitting siren wails into the microphone that shake the abashed London crowd, caught up in the lawless chaos.
From hereon for an hour and a half, anarchy rules. Hütz rallies the crowd like a social revolutionary, so even on the wonderfully eccentric Start Wearing Purple, his calls seem profound and affecting. Climbing on the crowd at every opportunity, the vision on stage is one of undulating vitality thats a snapshot of life away from the stiff developed West. Its unsurprising theyre such a hit, they romanticise a different way of life thats inspiring and escapist for a weighed-under British audience.
Accordion solos, crowd chants and fire-bucket percussion interludes are brewed into the volatile mix, to make Gogol Bordello the most thrilling musical alchemists currently around. Dogs Were Barking is a wild allusion to a foreign world where dirt rules, whilst Think Locally, Fuck Globally asserts a way of life thatll overturn greed to a polka beat. Amazing stuff.
Leaving the venue, gritty Camden seems positively stale. Gogol Bordello are campaigning for an Underdog World Strike and after the excitement and intensity of their show, its hard not to want to support them until the end.
FUTURE GIGS
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